Robert Greenberg
1) The Symphony
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English
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Description
From its humble beginnings in the 17th-century Italian opera overture and the Baroque ripieno concerto, the symphony has evolved into one of the longest lived, and perhaps the most expressively inclusive, genres of instrumental music. Along the way, it has embraced nearly every trend to be found in Western concert music. In this series of twenty-four 45-minute lectures, Professor Greenberg guides you on a survey of the symphony. You'll listen to selections...
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English
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For anyone wanting to master music's language, being able to read musical notation is a necessity. But this course, as Professor Greenberg notes, is a basic course, designed to introduce you to music's language in a way that is similar to the way you learned your own native language, by "discovering and exploring musical syntax through our ears-- by learning what the parts of musical speech sound like--rather than what they look like on paper." By...
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English
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Although we often think of an artist's work as a window into their own inner world, that is not always the case. In the life of Peter Ilyich Tchaikovsky, however, we can see perhaps the closest link to be found anywhere between a creative product and the shifting moods of a turbulent soul, which found its outlet through the glorious music created by the great Russian composer. To know his music, you must know the man, and this fast-moving series of...
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English
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In all the annals of Western music, there has never been a couple like the Schumanns: he a pioneering critic and composer (the only ever to achieve greatness as both), she one of the leading concert pianists of Europe, as well as a composer of no small talent herself. This series of eight lectures by an award-winning composer and acclaimed teacher includes excerpts of works by both of the Schumanns as part of an introduction to an extraordinary couple...
Author
Series
Publisher
Teaching Co
Pub. Date
[2005]
Language
English
Description
Professor Greenberg combines perceptive analysis of extensive musical excerpts with historical anecdotes, metaphors, and humor to show what goes on inside a musical composition: how it came to be written, how it works, and how--as is often the case with Beethoven--it may break all former rules to achieve a completely new and powerful effect. This course is somewhat technical and although musical knowledge is helpful, it is not a necessity.